‘Missing’ review: a twisty whodunnit where Gen Z’s internet habits save the day
While Missing may be a mystery, it’s more importantly a masterclass in innovative, visual storytelling. The film is a standalone
Read moreDay: January 15, 2023
MGM+ Head Michael Wright on Rebranding from Epix, Integrating with Amazon and Bracing for Industry’s ‘Transitional Year’
As Epix morphs into MGM+ today, its leader is preparing to deliver an expanded slate of originals under Amazon’s ownership.
Read more‘Missing’ review: a twisty whodunnit where Gen Z’s internet habits save the day
While Missing may be a mystery, it’s more importantly a masterclass in innovative, visual storytelling. The film is a standalone
Read moreHow ‘A Man Called Otto’ Beat the Box Office Odds
Who says adults aren’t going to the movies? Well, the numbers don’t exactly lie: Movies aimed at older audiences have
Read more‘Missing’ review: a twisty whodunnit where Gen Z’s internet habits save the day
While Missing may be a mystery, it’s more importantly a masterclass in innovative, visual storytelling. The film is a standalone
Read more‘Pacifiction’ Director Albert Serra Tees Up Bullfighter Doc ‘Afternoons of Solitude,’ Plans English-Language Debut (EXCLUSIVE)
Director Albert Serra will follow up his 2022 breakout “Pacifiction” with “Afternoons of Solitude,” an impressionistic documentary that will explore
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Twitter is blocking third-party clients like Tweetbot and Twitterrific
Well, I hope you don’t want to use just about any major third-party clients on Twitter, because Elon Musk appears
Read more‘A Streetcar Named Desire’ Review: Paul Mescal Is Explosive in Rebecca Frecknall’s Staggering Revival
“I don’t want realism. I want magic!” Blanche’s famously desperate cry holds the key to most approaches to “A Streetcar
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England bans the sale of single-use plastics
England has good news for the environment and terrible news for whoever has to do the dishes after a child’s
Read moreThe Lesson of ‘Babylon’: Every Great Filmmaker Has to Fall on Their Face Once and Learn From It
Watching Damien Chazelle’s “Babylon,” in all its superficially titillating, occasionally exciting and mostly exhausting wretched excess (the orgies, the elephant
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