‘Four Daughters’ Review: Kaouther Ben Hania’s Metafiction Conceals and Reveals the Tragedy of Radicalization

Late on in Kaouther Ben Hania’s compelling, ambitious hybrid “Four Daughters,” Olfa Hamrouni — the film’s focus, its fixation and its most charismatically contradictory character — strokes a purring, heavily pregnant ginger cat. Sometimes, she tells us, a cat will be so scared for her babies that she eats them. It’s Olfa’s covert acknowledgement that […]
Variety