‘Stopmotion’ Review: Art Infects Rather Than Imitates Life in IFC’s Partly Animated Creepshow

English animator Robert Morgan has deservedly accrued a shelf of awards over the past quarter-century or so for shorts like “The Cat With Hands,” “The Separation” and ickily awesome “Bobby Yeah.” Their macabre, surreal nightmares are at once threatening and oddly winsome, with a sinister aesthetic equally redolent of the Brothers Quay, early David Lynch […]
Variety